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1. #Dolby 5.1 atmos pro
2. #Dolby 5.1 atmos software
3. #Dolby 5.1 atmos Pc
4. #Dolby 5.1 atmos series
5. #Dolby 5.1 atmos mac

#Dolby 5.1 atmos mac

Nuendo also has an official renderer for Dolby Atmos that is natively integrated into the DAW on both Mac and PC.

#Dolby 5.1 atmos Pc

The Dolby Atmos Renderer can run on the same Mac as your DAW or on a separate Mac or PC as a mastering machine.

#Dolby 5.1 atmos software

This is a software program that runs in parallel with your DAW to monitor and master Dolby Atmos mixes. “What is this Dolby Atmos Renderer of which you speak?”, I hear you asking. Some of the more common DAWs currently in use can use the Dolby Atmos Music Panner as a VST, AAX, or Audio Unit plugin to pan and write metadata to a Dolby Atmos Renderer. But even DAWs like Logic, Reaper, Live, etc. They both feature native panners that work in bed and object mode and write metadata to a Dolby Atmos Renderer.

#Dolby 5.1 atmos pro

Currently, two of the largest DAWs natively support Dolby Atmos mixing Pro Tools and Nuendo. For the most part this won’t look any different from your regular software tools: DAW and monitoring system. Tools of the tradeįirst let’s look at the toolset for creating content. We’ll get into the details of beds and objects and this decision making process in the next articles. The most significant decisions will be whether an element will be mixed into the bed or as an audio object. However, the implications of composing, mixing, or implementing music for a game in Dolby Atmos are essentially the same regardless of whether we’re talking an RPG or FPS. The phrase “music for games” is incredibly broad since we all know that each game is unique, and the role and function of music varies on a per-project basis. What that means to you as a content creator is that your artistic intention is preserved so that your audience can hear your work as intended, replicated in the best way possible on the device of their choice.ĭolby Atmos maintains artistic intention from mix to listener playback Considerations before you begin

Whether you’re creating a massive tableau or an intimate portrayal, spatial audio allows for a very natural and open sound that brings immersion to the next level. No worries there because the end results sound amazing. The object-based audio fundamentals of Dolby Atmos bring pin-point accuracy and run-time flexibility so you can place sounds precisely where you need them, even if you don’t know where they’re going to be before handing a game controller to your audience.ĭolby Atmos provides for extensible spatial fidelityĪll of these benefits are great in and of themselves, but they would be meaningless if the end results didn’t sound as good if not better than traditional channel-based deliveries. Not only does this open up the space directly above the listener, it creates the ability to pan internally into the listening space and dramatically improves spatial resolution across the entire soundstage. Of course the most obvious and tangible aspect of Dolby Atmos is the addition of the height axis so we can pan sounds directly overhead. Just a few examples of Dolby Atmos rendering endpoints This also includes soundbars and virtualization renderers, which opens accessibility to spatial sound for every user! Whether it’s downmixing to 5.1 or stereo, or adding more speakers to a home theater system, the Dolby Atmos Renderer will create the best mix possible for that specific output device. From a technical angle, the Dolby Atmos format allows for future-proof expandability because your content will automatically adapt as users change, add, or improve their playback system. What does Dolby Atmos mean for music in games?įirst off, let’s look at the overall benefits to game music and audio in general when presented in Dolby Atmos. In these videos I take a few demo tracks through the whole mixing, exporting, implementing pipeline and provide tips and recommendations along the way.

#Dolby 5.1 atmos series

In the final article I’ll cover exporting content and implementing into game audio engines.įor a more detailed look at this process, check out my series of videos here. In the next article we’ll review composition and mixing recommendations for Dolby Atmos and point out anything specific or unique to games. This first article will cover general aspects and benefits of Dolby Atmos for music as well as considerations for planning your workflow.